Crossing Point Residency Blog

To content | To menu | To search

Saturday 5 May 2012

Gui Mohallem at Zico House in Beirut

Zico House invited Photo-Festivals to organise a Crossing Point Residency in their premises in Beirut, Lebanon. Usually happening within the framework of a photography festival and being a short term intensive residency, we decided to develop further this programme into a research and process orientated residency and offer a lens-based artist the opportunity to spend time in Beirut at Zico House.

WH_site_09.jpg © Gui Mohallem, from the series 'Welcome Home', 2011

We invited Brazilian lens-based artist Gui Mohallem to undertake the first Crossing Point Residency Off-Site at Zico House.

Gui Mohallem was born in 1979 in Brazil from Lebanese parents and lives and work in Sao Paulo. He graduated from the Film School at the University of São Paulo where he specialized in Cinematography. He worked on social projects and education through film and moving images for more than three years. Since 2007, Gui dedicated his practice to photography and moving images. His work has been exhibited individually and in group shows in the USA and Brazil. He participated in Descubrimientos PHotoEspaña and won the 2nd place at the Conrado Wessel Prize (Brazil). He is represented by Emma Thomas Gallery in Sao Paulo and will publish his first book in September 2012.

Gui Mohallem will travel for the first to Lebanon where he will spend 1.5 months. He will be based in Beirut from 17th May to 30th June 2012.

Gui will dedicate his time to research and develop an artistic project. The artist will also give a 3-day workshop and a talk at the Photo Forum Beirut.

In addition to organising this residency in Lebanon with Zico House, we partnered with two non-profit organisation in Brazil. Casa Tomada in Sao Paulo will host a talk by Gui Mohallem in September 2012, while EXA (Espaço Experimental de Arte) in Belo Horizonte will exhibit the work in progress the artist developed in Lebanon.

WH_site_16.jpg © Gui Mohallem, from the series 'Welcome Home', 2011

Artist Statement:

Researching on the concept of belonging, I found a sanctuary in the innermost regions of the US, where hundreds gather to celebrate and nourish a place called home even if nobody was born there (in 'Welcome Home' series). On this new journey in Lebanon, I will investigate the country of origin as a 'repelling zone' (more than twice as much Lebanese and Lebanese descendants live in Brazil than in Lebanon). Intrigued by my feeling of belonging to this country and at the same time refusing, denying it, I will address this ambiguous relationship with the motherland. Both within my work and through my personal experience, I want to research this complex relationship between the human being and the environment, experience the space between the identification and the rejection and find a place in my work somewhere in the gray area between the welcoming and the abandonment (or maybe in both extremes at the same time).

thanks to the support of:

logo_governo_federal.jpg logo_fundo_nacional_da_cultura.jpg

in partnership with:

zico.jpg logo_EXA.png logo_casa_tomada.jpg

Monday 2 April 2012

Dalia Khamissy 2011 Audience Engagement Grant

15_0.jpg

Dalia Khamissy, who was Crossing Point photographer-in-residence for Visa Pour l’Image 2010, won the Audience Engagement Grant and will work closely with SOLIDE (Support of Lebanon in Detention and Exile) to educate and mobilize youth around the fate of people who went missing during the 1975-90 Lebanese civil war.

Sunday 6 November 2011

Nestor Da at Paris Photo 2011 - “African Emerging Photography” - “Les Rencontres de Bamako”

nestor_da_paris_photo_abdoulaye_barry.jpg © Abdoulaye Barry

“Les Rencontres de Bamako”, the first Biennial of African photography, presented young African emerging talents and Nestor Da (Burkina Faso), who did the Crossing Point Residency in Arles in 2010, was among the 12 invited by Paris Photo 2011 for the exhibition “African Emerging Photography”.

Monday 13 September 2010

'With soul, With blood, We will support you Oh'



Dalia Khamissy fed up Mikko Takkunen and Dalia Khamissy

Today was the last professional day in Perpignan and my first meeting was at 12.00 that day… So I had plenty of time to get ready and go meet Yasmina at Café Ubu for a tea, before I head to Hotel Palms. I wanted was to take it easy and try not to collapse... While heading to the café, I heard voices as if in a demonstration. I could feel the crowd was just around the corner… I could not really hear what they were protesting against but it definitely sounded as if they were shouting “bil rouh, bil damm, nafdika ya…” (Arabic for: With soul, With blood, We will support you Oh …) It was a very strange feeling and I felt I was in Lebanon in one of those demonstrations! The reality was they were demonstrating against Racism and Xenophobia !

Before the 12.00 meeting I checked my emails and there were two emails I was waiting for: one from the National Geographic’s Gina Martin who was happy to see me at 11.30 and another from OSI Pam Chen… Sadly I was a bit late in replying to Gina’s email and she planned other meetings… The reality is that upon our arrival to the apartment we faced a big problem with the internet and therefore we found ourselves confused and lost not connected 24 hours a day. So due to internet problems, I lost my chance of meeting the National Geographic!!! 
The editor of 12.00 was still at a presentation and the meeting was cancelled… 2 hours later she was at Hotel Palms surrounded by photographers and I just had no energy to go and show my work anymore or even queue for that… I must admit it was not something I was comfortable in doing since the beginning and I just let go of it.

A bit disappointed and very tired, I went to my 15.00 meeting at Palais des Congrès. My energy was already reaching the bottom and I am sure I was not the only one feeling that way. My meeting was with ANI’s Aline Manoukian, on the second floor, where all the agencies had already deserted their stands. It was a very emotional meeting; Aline being Lebanese she understood all my projects and felt related to them, it was just too overwhelming for a last meeting and her feedback was more than appreciated.

My last meeting with Host gallery at Hotel Palms at 17.00 was the last one I could handle to be honest. I even think the editors themselves were fed up of looking at pictures for the week.

Poulomi, Yasmina and Olivier Poulomi Basu, Yasmina Reggad and Olivier C. Laurent

An apéro was organized at the apartment of Camille Plante, Isabelle Lesser, Anne Holmes, Yasmina Reggad etc. From their terrace we could hear the last night projection. It was really the end of the festival and people were preparing for the big final party at Couvent des Minimes that night.

That night, it felt a bit strange to dance with the editors I had met that week, but it surely felt great to dance with all the flat mates and other photographers I got to know at Café la Poste. The last drop of energy kept me going all through the night and well it was a great end for an exhausting yet extremely interesting photography festival.

Walking Zombies

This is exactly what everybody looked like on Sunday morning, surrounded by suitcases at Café la Poste… I decided it was time to remove the tag from my wrist and so I did.

After the breakfast and the teas and water we all kept ordering, along with some other photographers, I went to check the exhibitions I never had the time to see during the professional week.

So back to the Couvent des Minimes and Église des Dominicains for a quick glimpse at the photographs exhibited there. I was leaving Perpignan by car with a friend to Barcelona, later that afternoon and then to Almeria for my exhibition at the Centro Andaluz de la Forografia, which was on Tuesday… I was ready to leave Perpignan now… Most photographers and editors had already left and the Café de la Poste looked kind of deserted compared to what it used to be. 
For few hours after removing it, I kept feeling the tag on my wrist on where it used to be for the past 5 days or 6. A strange feeling indeed that I felt all during the day and as we were driving out of Perpignan.

I am already missing my flatmates, Yasmina, the photographers I met and even the gathering at Café la Poste… But it feels as if it was ages ago that this happened and not last week. Maybe this is what happens when our brains become numb, from the entire running around, lack of sleeping etc.

Au revoir Perpignan!

Dalia Khamissy

Friday 10 September 2010

To remember how lucky I am to be a photographer

I've been to Perpignan every year since 2006, and since I became a photographer. In the beginning I went mostly with friends from Newport, where I studied, and then with others I have met along the way on workshops, or on assignment, put in touch through friends of friends. Before I lived in London and the £150 ryanair flight was almost insignificant, but this year, living in Beirut and facing a 3-flight, 24 hour journey to the South of France, I decided not to go. It was too expensive, I was too busy, it was a luxury that I didn't deserve right now etc. I balked a week before, emailing Crossing Points to ask if there was still some way they could fit me in, and luckily there was.

Of course, it was never really a possibility that I wouldn't go. Perpignan has become part of my yearly calendar. The only time I get to see many of my lovely photography friends who are spread out all over the world, a marker by which to measure the last 12 months of work, an opportunity to meet with editors I only ever speak to by email, and a chance to get excited and buzzed up about photography. To remember how lucky I am to be a photographer, and how wonderful a job it is.

This year I stayed in the Crossing Points flat, a lovely, warm and kind, eclectic mix of young photographers, some on their first trip to Perpignan, others not, editors and journalists. In reflection, each year at the festival is different; the first year it's overwhelming, hectic and not knowing what to expect my approach to having meetings was scatterbrained. Each year, I nurtured the professional relationships I had already, forged new ones, made new friends, met old ones, made new work in the time in between, and developed my portfolio and client list.

Despite the last minute decision to travel from the Middle East, I managed to make some appointments before I arrived, most importantly for me with National Geographic and Newsweek, editors who I had been in touch with for several years but never met in person. I managed to see the director of photography from GEO Germany briefly at a party, but was happy just to have a quick catch up after not having seen her for 5 years. I am part of the VII mentor program, and Dominique from the Paris office made lots of appointments for me during the week, which helped me manage to meet more people than I could have hoped for. And then there were my friends and peers, both inside and outside the Crossing Points flat, with whom I swapped editors mobile numbers, got heads up on who was who and sometimes recommended each others work to the people we met.

So, I'm happy to be a photographer, enthused by my peers, inspired by the photographs that were exhibited and projected, learning a lot from the people who hire me and dying to go out and make some pictures!!!!!! 2 weeks and I'll be in Siberia, but there's all the follow-up emails to write before then (on top of visa applications, scanning etc.. eeekk!!)...

back to the grind!

Anastasia Taylor-Lind

- page 1 of 8